Past Reviews

Regional Reviews: Philadelphia

Biloxi Blues
Act II Playhouse
Review by Rebecca Rendell | Season Schedule (updated)

Andrew Criss and Luke Bradt
Photo by Mark Garvin
Act II Playhouse opens its 20th season with the second installation in Neil Simon's semi-autobiographical Eugene trilogy (which also includes Brighton Beach Memoirs and Broadway Bound) less than a week after the beloved playwright's death. Simon was a Broadway comic genius and Biloxi Blues is among his greatest plays. Director Tony Braithwaite's risible production is a worthy tribute.

Young Brooklyn native Eugene Morris Jerome (DJ Gleason) and his fellow new recruits are in for ten weeks of basic training in sweltering Biloxi, Mississippi, before they ship out to the front lines of World War II. Drill Sergeant Toomey (Andrew Criss) is a psychopath, the food is inedible, and inside the barracks tempers are wearing thin. There is a lot of dodgy banter between soldiers and everything is funnier viewed through the lens of Jerome's earnest naivete, but the escalating conflict between hard ass Sgt. Toomey and stubborn intellectual Arnold Epstein (Luke Bradt) is what really drives the play.

Gleason leads the talented ensemble with ample charm and impeccable comic timing. Zachary Chiero, as Roy Selridge, breaths fresh humor into even the corniest one liners; Michael Rizzo's Joseph Wykowski is delightfully menacing; while Chris Monaco conveys quiet depth as James Hennesey. Under Braithwaite's direction the cast fully capitalizes on the wealth of humor in Biloxi Blues and the laughs just keep coming.

The more serious side of Simon's work does not fare as well. Many of the darker moments—from Sergeant Toomey's rants to Wykowski's dirty jokes—are tepid and seem to be geared for easy humor rather than maximum impact. Playing down the grittier aspects of army life may make for a more comfortable comedy, but it also diminishes the play's unique power. Luke Bradt is miscast as Arnold Epstein, the physically weak but intellectually stoic member of the platoon. Bradt devotes a lot of energy affecting the physical and vocal traits of his character, but ends up sounding like a whiny Jerry Lewis. It's funny, but the character is robbed of his gravitas and Bradt is so preoccupied with maintaining this affect that his ability to interact on stage is clearly limited. This is especially frustrating in the penultimate scene, with Criss, between Toomey and Epstein; Criss gives a powerful performance but it feels like he is acting against a brick wall.

Biloxi Blues, through September 30, 2018, at the Act II Playhouse, 56 E. Butler Avenue, Ambler PA. Tickets are available online at or by phone at 215-654-0200.

Luke Bradt, Zachary Chiero, Andrew Criss, DJ Gleason, Ryan Hagan, Chris Monaco, Heather Plank, Michael Rizzo, and Anne Wechsler

Director: Tony Braithwaite
Scenic Designer: Adam Riggar
Lighting Designer: James Leitner
Costume Designer: Janus Stefanowicz
Sound Designer: John Stovicek
Properties Designer: John Wendling
Fight Choreographer: Ian Rose
Stage Manager: Patricia G. Sabato