Past Reviews

Regional Reviews: Phoenix

Fiddler on the Roof
Arizona Theatre Company
Review by Gil Benbrook | Season Schedule

Also see Gil's reviews of Guys and Dolls, The Mystery of Edwin Drood, and Cooking with the Calamari Sisters

The Cast
Photo by Tim Fuller
As far as classic musicals go, I believe there are very few on the same level of Fiddler on the Roof. It is a perfect musical with a beautifully written book and a score full of classic tunes. From the recent Broadway revival that just closed, to community theatre, high school, and youth theatre productions, it's also a show that seems to be continually produced on a nonstop basis. For their 50th anniversary season, Arizona Theatre Company presents a production of this show, which also recently celebrated its 50th Anniversary, that is as perfect as the show itself. If you've seen this musical before and planned to skip this latest offering, I urge you to reconsider, as ATC's production has both a perfect cast and superb direction that makes the show seem as fresh and emotionally relevant as ever.

Set in 1900s Russia, Fiddler on the Roof focuses on the poor Jewish dairyman Tevye, his wife Golde, their five daughters, and the large group of townspeople who inhabit their village of Anatevka. They attempt to hold onto their religious customs and traditions against changing times as they face anti-Semitism and the potential expulsion from their homes by the Russians. It is a serious show, full of many somber and emotionally deep subjects. Yet bookwriter Joseph Stein, composer Jerry Bock and lyricist Sheldon Harnick crafted a show, based on the stories of Sholem Aleichem, with realistic characters and situations that also incorporates many moments of humor and heart that help balance out the more serious scenes and songs.

David Ira Goldstein's direction is spotless and his talented cast achieve rich portrayals with every line of dialogue and lyric well thought out, realistic, and effectively delivered. Eric Polani Jensen and Anne Allgood are simply exceptional as Tevye and his wife Golde. Their portrayals are full of warmth and heart and they exhibit a feistiness with each other that makes sense for a couple who have been together for twenty-five years yet were strangers on their wedding day. I've seen over a dozen productions of this show and Jensen is on par with Topol, Harvey Fierstein and Alfred Molina, all of whom I saw either on the road or on Broadway.

The rest of the cast is very strong, with Jennifer Wingerter, Taylor Pearlstein, and Krista Curry all very good as Tevye and Golde's three eldest daughters, and Kenny Metzger, Patrick Shelton and Kevin Milnes as their three very different suitors. All six have strong voices that excel on their songs. The part of the young Russian man Fyedka is often played more as a caricature, but Milnes finds a way to present him as an engaging three-dimensional person. As the crowd pleasing character Yente, the matchmaker, Kate Jaeger delivers every line so it gets a big laugh.

William Forrester's set design is sensational, with some large movable set pieces and large colorful drops that cover 2/3 of the back wall and the side scrims based on Marc Chagall images to portray the Russian village—the original Broadway production poster design and sets were also based on Chagall's images. A series of trees works well to show the changing seasons of the story. The second half of the show turns more dark and serious; Forrester's sets and the exquisite lighting design from Michael Gilliam match the bleakness with grey wooden walls and shadows of color and light, though there are a few pops of color in the darkness that, I assume, show the possible happiness in the characters' futures. The costumes by Cynthia Savage are equally good, with rich patterns and fabrics that accurately portray the period and characters. Choreographer Kathryn Van Meter follows the original classic Jerome Robbins choreography fairly closely yet manages to make it seem fresh and original with some effective moves of her own.

Fiddler on the Roof is an exceptionally powerful piece of musical theatre with a superb book and score that portray the story of a simple group of people who face a changing world. With an exceptional cast and solid direction, Arizona Theatre Company's production breaths a huge amount of heart and life into this fifty-year-old classic and makes it seem as fresh and powerful as ever.

Fiddler on the Roof at Arizona Theatre Company through January 29th, 2017, at the Herberger Theater Center, 222 E. Monroe Street in Phoenix. Tickets can be purchased at or by calling 602-256–6995.

Director: David Ira Goldstein
Choreographer: Kathryn Van Meter
Music Director/Conductor: Michael Koerner
Scenic Design: William Forrester
Lighting Design: Michael Gilliam
Costume Design: Cynthia Savage
Sound Design: Abe Jacob
Associate Choreographer: Adam Somers
Casting Associate: Matthew Wiener
Production Stage Manager: Peter Van Dyke

Tevye: Eric Polani Jensen*
Golde: Anne Allgood*
Tzeitel: Jennifer Wingerter*
Hodel: Taylor Pearlstein
Chave: Krista Curry
Shprintze: Janine Colletti
Bielke: Kate Godfrey
Motel: Kenny Metzger*
Perchik: Patrick Shelton*
Fyedka: Kevin Milnes*
Lazar Wolf: Armen Dirtadian*
Yente: Kate Jaeger*
The Rabbi: Mike Lawler*
Shaindel: Sally Jo Bannow*
The Fiddler: Jason Collins*
Avram: James Zanelli
Mordcha: Erik Gratton*
Constable/Nahum: Cobey Mandarino*
Mendel: Danny Lacker
Fruma Sarah: Sarah Wolter*
Yussel: Eric Lee Brotherson*
Yakov: Adam Somers*
Sasha: Josh Dunn
Rivka: Shira Elena Maas
Fyvel: Owen Watson
Daniel: Kylan Chait
Accordion: Robertson Witmer
Clarinet: Greg Armstrong

*Members of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States.

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